The Cleveland HealthLine at 11 PM — Euclid Ave east through a half-empty city, the electric hum of a BRT that doesn't need to announce itself, watching what the window shows and what it's not.
What the Window Does
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The HealthLine runs Euclid Ave after eleven and the car is almost empty. There's an electric quiet to it — not the underground-tunnel kind, more like the hum of something that doesn't need to announce itself. Outside: glass towers with a few floors still lit, a pharmacy sign glowing behind closed doors, the wide-lane geometry of an avenue rebuilt for a city that didn't quite materialize. Cleveland at night has a specific texture, dry and alert, like you're passing through rooms in a house where the furniture used to be arranged differently.
The song is a ride from downtown east through Cedar-Fairmount and back, told by someone who stays on past their stop, watching. At East 105th a hooded figure steps off onto an amber platform and is gone before you can register a face. Terminal Tower holds its position in the far distance. The chorus doesn't grieve — it just counts: the city held twice as many people once, when the mills were running. The narrator is not here to eulogize anything. Just watching the window do what windows do.
[Verse 1]
Euclid Ave at eleven PM
the HealthLine hums on its wire
past the Cleveland Trust rotunda dark
past the pharmacy with its one light on inside
a man with his hood up at East 105th
steps off before I see his face
the platform empty in the amber, then gone—
the door sighs shut, we accelerate
[Chorus]
This city held twice as many
back when the mills were still white-hot
I'm not mourning anything, just counting
what the window shows and what it's not
[Verse 2]
Terminal Tower in the far distance
a spike above the residue of dark
the LED flicker on the ceiling
makes the car feel like a fish tank after dark
nobody boards at Cedar-Fairmount
the conductor's voice says nothing at all
just the electric quiet underneath us
and the avenue going wall to wall
[Bridge]
I read the ads for urgent care
for check-cashing, for God
somebody taped a handwritten number
under the bench I can't make out
[Verse 3]
East end of the line, the turn-back loops
I stay put past the point I should
the driver watches me in the mirror
I think I'm fine, I think it's understood
the closed storefronts, the wide-lane geometry
the city built for twice what showed
I ride it back to Public Square in silence
watching the window do what windows do
[Outro]
the window do what windows do
the window do what windows do
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